Pericope
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| - | + | A '''pericope''' (pəˈrɪkəpiː/; [[Greek language|Greek]] περικοπή, "a cutting-out") in [[rhetoric]] is a set of verses that forms one coherent unit or thought, thus forming a short passage suitable for public reading from a text, now usually of [[sacred scripture]]. | |
| - | A '''pericope''' ( | + | |
[[Manuscript]]s, often [[Illuminated manuscript|illuminated]], called Pericopes, are normally abbreviated [[Gospel Book]]s only containing the sections of the [[Gospel]]s required for the [[Mass]]es of the [[liturgical year]]. Notable examples, both [[Ottonian art|Ottonian]], are the [[Pericopes of Henry II]] and the [[Salzburg Pericopes]]. | [[Manuscript]]s, often [[Illuminated manuscript|illuminated]], called Pericopes, are normally abbreviated [[Gospel Book]]s only containing the sections of the [[Gospel]]s required for the [[Mass]]es of the [[liturgical year]]. Notable examples, both [[Ottonian art|Ottonian]], are the [[Pericopes of Henry II]] and the [[Salzburg Pericopes]]. | ||
Revision as of 11:43, 30 October 2011
A pericope (pəˈrɪkəpiː/; Greek περικοπή, "a cutting-out") in rhetoric is a set of verses that forms one coherent unit or thought, thus forming a short passage suitable for public reading from a text, now usually of sacred scripture.
Manuscripts, often illuminated, called Pericopes, are normally abbreviated Gospel Books only containing the sections of the Gospels required for the Masses of the liturgical year. Notable examples, both Ottonian, are the Pericopes of Henry II and the Salzburg Pericopes.
Lectionaries are normally made up of pericopes containing the Epistle and Gospel readings for the liturgical year. A pericope consisting of passages from different parts of a single book, or from different books of the Bible, and linked together into a single reading is called a concatenation or composite reading.
See also
References
- Meinolf Schumacher: "Perikope" in Reallexikon der deutschen Literaturwissenschaft. Vol. 3, edited by Jan-Dirk Müller, 43-45, Berlin and New York: Walter de Gruyter, 2003.
